In the faux-documentary style of The Blair Witch Project comes the campfire story of a missing girl, a vengeful ghost, and the girl who is determined to find her sister–at all costs.
Once a year, the path appears in the forest and Lucy Gallows beckons. Who is brave enough to find her–and who won’t make it out of the woods?
It’s been exactly one year since Sara’s sister, Becca, disappeared, and high school life has far from settled back to normal. With her sister gone, Sara doesn’t know whether her former friends no longer like her…or are scared of her, and the days of eating alone at lunch have started to blend together. When a mysterious text message invites Sara and her estranged friends to “play the game” and find local ghost legend Lucy Gallows, Sara is sure this is the only way to find Becca–before she’s lost forever. And even though she’s hardly spoken with them for a year, Sara finds herself deep in the darkness of the forest, her friends–and their cameras–following her down the path. Together, they will have to draw on all of their strengths to survive. The road is rarely forgiving, and no one will be the same on the other side.
Well, what can I say? I enjoyed the hell out of this book.
I had no expectations when I picked up Rules for Vanishing by Kate Alice Marshall. I had never read anything by Marshall before, YA horror was a genre I hadn’t read for years, and I had won this book in a contest before it was published, so- at the time, I didn’t even really know what it was about. I can now say that absolutely none of that mattered. I picked up Rules for Vanishing on a Tuesday night and finished it on a Wednesday afternoon. And not on purpose, mind you, but something about the eerie beginning of this story swept me up almost immediately.
Rules for Vanishing was everything I want around this time of year: eerie, mysterious, spooky, and full of questions.
There were so many things I liked about it that I’m just going to make a list:
One. The format of this book was so much fun to read. Rules for Vanishing is sometimes written like a traditional, first-person novel, but only in some chapters. Most chapters are something different: transcripts from videos found on various characters’ phones, interviews with police, school assignments. This changed the angle of perspective constantly throughout the book which only added a deliciously disorienting effect to an already mysterious story. If this was an homage to the trend of found footage in horror movies in the last few years, it was executed with a very thoughtful eye. It was compelling as hell.
Two. I liked all of the characters. Okay, some of them more than others, but- given they’re a group of teenagers, I feel like that’s only fair. I really felt for all of the main circle though and I feel like Marshall did a great job at giving each of them a unique and relatable vulnerability. They were teenagers, to put it quite simply. Some of them were vain or pretentious or dramatic, but they were also great friends. Their histories were varied and riddled with complications and old wounds and, because of this, their reunion through the story had a sentimental, electric effect. This book made me remember running around with a group of kids at that age, only never in such dire circumstances. I rooted for them.
Three. The main character, Sara, was particularly competent in a way that just makes me so happy. I love reading a character, especially when she’s a woman, that does the best they can and generally doesn’t do anything supremely stupid, barring normal human error anyway. People are flawed, and so is Sara, but it can also be refreshing to read about a character who is driven, prepared, and competent to do what they’re doing. Or- for the most part, at least. Especially in YA, I liked seeing her fortitude and drive being front and center.
Four. Damn, Kate Alice Marshall did a fantastic job of rendering The Road in all of its mysterious, terrifying, glory. The environments in this story are often shrouded in darkness or lost to the unknown, but the way that the author chooses to render them to the reader was done particularly well. Marshall’s descriptions were focused on all the right things to bring you right into the moment that these characters are living and forget about the world around you. I couldn’t put the book down, mostly because I just couldn’t stand not knowing what insane, spooky obstacle would come up next. The plot and the atmosphere are drenched in fog and confusion and malevolent spirits and I loved every twist.
Five. I love horror, scary movies, scary books, and all things Spooky Season so I’m not an easy scare. While I wouldn’t say this book “scared” me per se, it kept me on the edge of my seat the entire time, wanting more. Too often with YA horror/thriller it feels like something is being held back, either in the writing or in the topics, but I didn’t feel that here. Marshall took me to some dark places, both in the story and conceptually, and I genuinely enjoyed myself along the ride. I commend her for taking those risks because they paid off.
So- I guess I really recommend this book. Especially if YA is your thing and/or spooky books are your thing! This book had a little bit of all of that and then a little more, and a ghost story on top of the whole thing. Rules for Vanishing is on shelves now! I hope you enjoy it as much as I did.
Thank you so much to BookishFirst who provided me with an advanced copy of this book in exchange for an honest review.
See you tomorrow! x
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